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Foamd
Build my case

Custom cases for video

Cinema and mirrorless bodies, gimbals, monitors: foam with a pocket sized for each device, ready for the shoot.

PhotoDroneAudioCabin sizeOn wheels
3D render: the L case with an upright mirrorless body, a gimbal and a zoom.
3D render: the L case with an upright mirrorless body, a gimbal and a zoom.

Camera bodies (127)

Gimbals (4)

Monitors (1)

Batteries (1)

Choosing the right case

Set the body up in its storage position: bare, in a cage or with a handle, its footprint changes. From the catalogue dimensions and for the body alone, the calculation suggests for example the S for a Sony FX3, the M for a Z CAM E2C and the L for a Blackmagic Pocket Cinema Camera 6K Pro. These pointers do not replace checking the measurements of your own rigged camera.

For a gimbal, check the folded state and what the dimensions include. Add the camera, lenses, audio and accessories you actually carry: the size depends on the whole kit and how it is laid out. The configurator suggests a plan from these dimensions, to check before ordering.

Preparing a kit for a film crew

Production, camera crew, sound or rental: start from the shoot’s inventory, then spread the gear across suitable containers. This list helps you prepare and check the packing; it does not replace a physical check of the layout.

  1. Count every item. Note the references and quantities: two identical batteries or two receivers each need their own place. Separate the gear supplied by the rental house, the crew’s own, and what travels in another container.
  2. Set the transport state. Camera bare or with cage, handle, baseplate and lens; monitor with or without its mount; mic with or without shock mount and windshield. A bare device’s dimensions do not cover its mounted accessories.
  3. Add the usual forgotten items. Caps, hoods, filters, transmitters and receivers, cables, chargers and power: none of these is implicitly included in an example kit.
  4. Check every plan. Measure the state actually transported, check the pockets and access to each item. If the kit doesn’t fit an available size, rethink the split; a large control desk or a rack may need another kind of container.
  5. Check on departure and return. Compare the gear present with your reference inventory, note missing items and accessory changes before reusing the same layout for the next shoot.

Preparing the lensesPreparing the sound gearMeasuring rigged assembliesBuild from my inventory

Questions about video cases

Which case for a gimbal and a camera?

Build the full list in the configurator: the camera model, the gimbal and the accessories change the space needed. For the battery grip, check whether it is included in the stored state on the product page; if you store it separately, add a custom item with its dimensions. How you store it is yours to confirm on your kit.

Is the body stored with the lens mounted?

In the suggested plan, the body and lenses have separate pockets. If you want to store them assembled, measure the whole thing and add it as a custom item. Either way, include the caps and accessories that stay mounted.

Is there room for my NP-F or V-mount batteries?

Add their references or measurements to the configurator to check the space in the plan. For a flight, check the energy and quantity limits and the airline’s conditions. Permitted spare lithium-ion batteries travel in the cabin, each with its contacts protected.

What about my monitor or SDI cables?

The monitor lies flat, screen facing the foam. Cables go in a pouch or a free compartment: the configurator suggests one wherever there is room left.

Prepare your flight with the guide to drones and batteries on planes, its sources and the points to confirm with the airline.

Preparing a kit for this use

Custom case for the Sony FX3 and FE 24–70 GM II

Should the body be stored with its lens mounted?

See the kit and the points to check →